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The Savage Eye
''The Savage Eye'' is a 1959 "dramatized documentary" film that superposes a dramatic narration of the life of a divorced woman with documentary camera footage of an unspecified 1950s city. In a 1960 review, A. H. Weiler characterized the film:
The film was written, produced, directed, and edited by Ben Maddow, Sidney Meyers, and Joseph Strick, who did the work over several years on their weekends. Benjamin Jackson has noted that Irving Lerner, Strick's collaborator on the earlier documentary ''Muscle Beach'' (1948), "was part of the original group, but left in the middle of production."〔. A second woman known primarily for her work as a film writer is also named "Helen Levitt." This review, which is perhaps the most comprehensive discussion of ''The Savage Eye'' in the literature, clarifies that the cinematography was indeed done by the distinguished photographer of the same name.〕 The camera footage for the film was done over these years by the principal cinemaphotographers Haskell Wexler, Helen Levitt,〔 and Jack Couffer; the sound editing for the film was one of Verna Fields' early credits. The film won the 1960 BAFTA Flaherty Documentary Award as well as several film festival prizes. Reviewing its debut at the 1959 Edinburgh Film Festival, the art critic David Sylvester called its imagery "sharp, intense, spectacular, and imaginative".〔Sylvester is quoted in 〕
''The Savage Eye'' is often considered to be part of the cinema vérité movement of the 1950s and 1960s; John Hagan has written further of the film's influence that: "One can see how, in its study of a woman whose marital problems have estranged her from the world, it anticipated, if not influenced, such films as ''The Misfits'', ''Red Desert'', and ''Juliet of the Spirits''."
==See also==
* List of American films of 1960
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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